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SALZBURG FESTIVAL BLOG

Blog entries for "Opera"

Franz Welser-Möst on “Der Rosenkavalier”

by FESTSPIELKIEBITZ  11:09 h;
published in: Opera

( 1 Aug 2014 ) Tonight sees the premiere of Richard Strauss’ Der Rosenkavalier. From 6 pm onwards, Krassimira Stoyanova as the Feldmarschallin, Sophie Koch as Octavian, Mojca Erdmann as Sophie and Günther Groissböck, among others, will be on stage at the Großes Festspielhaus under the baton of Franz Welser-Möst. A heartfelt “Break a leg!” to all involved! 

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Premieres: Excitement among the Young Singers

by Wolfgang Resch  10:44 h;
published in: General, Opera

( 29 Jul 2014 ) On Sunday, the moment had finally come! After the Ouverture spirituelle, the 2014 Salzburg Festival was officially opened at the Felsenreitschule. The tension keeps rising, and the Festspielhaus feels like a huge cauldron about to bubble over. Everyone is looking forward to the first premieres. My YSP colleagues and I have also been swept up by the excitement.

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Johanna Wokalek and Marianne Crebassa: Two Strong Women Playing Charlotte Salomon

by FESTSPIELKIEBITZ  16:40 h;
published in: Opera

( 21 Jul 2014 ) The actress Johanna Wokalek and the mezzo-soprano Marianne Crebassa embody the title role in the opera Charlotte Salomon, which has its world premiere at the Felsenreitschule on July 28, 2014.  Johanna Wokalek plays Charlotte Salomon, the real person who conveyed the story of her life to future generations through pictures, texts and musical references, and whom dramaturge Konrad Kuhn describes as a “girl with a Berlin loudmouth and an irony bordering on the sarcastic”. Marianne Crebassa takes on the role of Charlotte Kann, the fictional ego of Charlotte Salomon, the protagonist actively involved in the stage narrative. Let us introduce you to this central work of the Festival summer.

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International Opera Awards – Salzburg Festival’s NORMA wins in the category “Best New Production of 2013”

by FESTSPIELKIEBITZ  10:59 h;
published in: Opera, General

( 8 Apr 2014 ) Last year, the Salzburg Festival won in the category “Best Opera Festival”. Today this year’s award ceremony took place in London, and once again the Salzburg Festival was among the nominees: this time in the category “Best New Opera Production”. The international jury chaired by John Allison selected the Salzburg Whitsun Festival’s new production, Vincenzo Bellini’s NORMA with Cecilia Bartoli in the title role, as the “Best New Opera Production of 2013”. The International Opera Awards, also known as the “Opera Oscars”, were awarded in 21 categories altogether.

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Artistic Director Alexander Pereira about the Festival Programme 2014

by FESTSPIELKIEBITZ  11:00 h;
published in: Opera, General

( 6 Nov 2013 ) Dear, honoured Festival guests!

It is with great pleasure that I present our events of the 2014 Festival summer to you. As every year, we will try to give the most important artists of our time a home in Salzburg for six weeks – in a density that would be impossible to achieve anywhere in the world but in Salzburg. In my view, this is what the fascination of the artistic attraction of this Festival is all about. This summer, we present to you five opera premieres with hand-picked casts. 

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The Vienna Philharmonic remains the heart of the Festival

by FESTSPIELKIEBITZ  08:52 h;
published in: Opera, Concert, General

( 30 Aug 2013 ) The Vienna Philharmonic has always been one of the main pillars of the Salzburg Festival. “Without the Vienna Philharmonic, there might be a festival in Salzburg, but it would not be the Salzburg Festival.” Clearer words than those of President Dr. Helga Rabl-Stadler in her interview with Die Presse can hardly be found to describe the role of the Vienna Philharmonic at the Festival.

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Pa pa pa pa ... Pause ...

by Theresa Dittmar  14:52 h;
published in: Opera

( 16 Aug 2013 ) After seven performances in a row, we finally have a small break, and we have truly deserved it. The past two weeks were quite strenuous. Now that the Zauberflöte premiere is behind us, we can catch our breath again.

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“Magic Flute” and all that...

by Theresa Dittmar  15:09 h;
published in: Opera, General

( 6 Aug 2013 ) There we are! The premiere of Die Entführung aus dem Serail for Children is behind us and already seems far, far away. In the meantime, rehearsals for Die Zauberflöte for Children have begun. The premiere takes places next Thursday already, and it feels like we’ve only just started. It is a bit of a shame, because rehearsal periods are always a lot of fun and when you know that there is still a bit of time before things get serious, there is time for one or the other little beer after rehearsal. At the moment, however, we really have to marshal our resources, for this week will be turbulent.

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“I have kissed Sir John Tomlinson.”

by Christopher Maltman  14:21 h;
published in: Opera

( 30 Jul 2013 ) “I have kissed Sir John Tomlinson. Many, many times. There, I’ve said it. And, believe me, it’s not something that I had anticipated in my career, even in my wildest student daydreaming days. In fact, this summer has seen a few other firsts for me. My first on-stage decapitation (even if I was a little over enthusiastic on the first night and managed to send the Green Knight’s head tumbling among the double basses), my first bout of cannibalism, both given and received, and finally my first time spending twenty five minutes under a blanket. All operatic milestones I simply could not have anticipated.”

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Family Guy Christopher Maltman Sings the Title Role in the Opera "Gawain"

by Christopher Maltman  17:00 h;
published in: Opera, General

( 26 Jul 2013 ) The first opera premiere of the Salzburg Festival is about to take place: Harrison Birtwistle’s Gawain has that honour tonight at the Felsenreitschule. Christopher Maltman, who takes on the title role in this opera, writes about his time in Salzburg, his work and the concept for Gawain. Find out what Chris Maltman likes to do in his free time and why Alvis Hermanis is the perfect stage director-cum-midwife for the whole thing, by clicking …

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