Welcome to
the Salzburg Festival Archive

The Salzburg Festival’s Archive is among the most important theatre archives existing in Austria. As an archive, collection and library hybrid, it preserves a vast trove of documentation of the Festival’s history. Its holdings are continuously expanded and catalogued with great care and attention to detail. Artistic projects involving the archive seek to convey this cultural heritage in a vibrant manner.

© SF/Neumayr/Leopold

News

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© Jasper Meiners

Residency at the Salzburg Festival Archive: Iz Paehr

Iz Paehr works in Berlin with and on virtual structures. For 2025, Iz Paehr was awarded the residency of the S+T+ARTS Ec(h)o Residencies Programme at the Salzburg Festival Archive, implemented in cooperation with Ars Electronica as a dissemination partner. In their work entitled Feeling Virtual: An Archive of Touch, Iz Paehr aims to activate obstructed knowledge derived from experience and the senses, developing virtual interfaces enabling multi-sensorial access to materials from the Salzburg Festival Archive.

Memory Office

The “Festival Memory Office” of the Swiss artist Mats Staub gives the Festival’s visitors their say. In interviews, they discuss their most beautiful and moving, but also irritating Festival experiences. Festival visitors born between 1975 and 2005 who wish to participate are cordially invited to register here. Please note that the questionnaire is only available in German.

© SF/Neumayr/Leopold

Cultural Heritage Online

During the summer of 2024, the Salzburg Festival received funding approval for its grant application to the EU and the Federal Ministry of Art, Culture, Public Services and Sports for the project “Kulturerbe digital” (Digital Cultural Heritage). Currently, all programme books, posters and costume sketches since 1920 are being digitized. Furthermore, 3D scans of costumes and props are being created for four selected productions.

© SF/Susanne Anders

Gusti Adler’s Estate

One of three important estates newly incorporated into the Archive’s holdings is that of Gusti Adler. She was not only the closest collaborator of the director and Festival co-founder Max Reinhardt for 20 years, later becoming his biographer too, but also a close childhood friend of Helene Thimig, the incomparable actress, director and wife of Max Reinhardt.

© SF/Kolarik

Max Reinhardt „Memory of the World“

Max Reinhardt’s prompt book for performances of Hugo von Hofmannsthal’s Jedermannwas included in the national Austrian register of documentary heritage, “Memory of Austria”

Adress:
Neutorstraße 25
A-5020 Salzburg
archiv@salzburgfestival.at

Supported by acm (austrian capital management GmbH)